.: November 15, 2013.: November 29, 2013.: February 22, 2014,Mode(s),Knack ( ナック, Nakku) is a developed by and published by for the video game console. The game was released in November 2013 and in Japan in February 2014, where it was available as a with the console.The player navigates the titular character Knack through a series of levels viewed in a fixed camera, -style view. Knack is a living humanoid organism that consists of Relics; a large central Relic is always surrounded by a varying number of smaller Relics.

Knack utilizes jumping, dodging, punching, and using enhanced energy-based powers, in order to progress through the colourful environments, which are populated with enemies. The story follows Knack and his creator on a journey to save humankind from a species known as the Goblins. However, one of Knack's creator's former friends goes rogue, and Knack and his allies must stop the antagonist's evil plans.Upon release, Knack was met with a mixed critical response; reviewers praised the game's original concept and ideas, but criticized the gameplay, level of difficulty, and story.

Nov 15, 2013  For Knack on the PlayStation 4, GameFAQs has 2 FAQs (game guides and walkthroughs), 43 cheat codes and secrets, 42 trophies, 9 reviews, 52 critic reviews, and 50 user screenshots.

A sequel, was announced at the 2016, and was released on September 5, 2017. A gameplay screenshot of Knack, displaying the health bar and level of Sunstone energy acquired in the upper left corner.Knack is a game in which players control the title character, Knack. Game director describes the gameplay as 'a little bit like, and a little bit like ', with 'a touch of in there'. Players control Knack through a series of long, linear levels, journeying from start to finish, while battling enemies, such as humans, robots, and vehicles, finding secret hidden objects that give Knack upgrades, climbing, destroying objects, and completing jumping and switch-based puzzles. The perspective in which the game is played is similar to that in the games. Players only control Knack and do not control the camera. The camera follows Knack in a combination of and angles.Players guide Knack through many levels in many different locations.

Each location is different and players follow the objectives played out in the story. The environments are brightly coloured, consisting of bright and vibrant greens, oranges, blues, and greys. Locations visited in the game include mineshafts, forests, factories, mansions, gardens, mountains, cities, laboratories, castles, rock formations, and caves. Gameplay is focused on brawling fighting combat and platforming.Knack is essentially a large Relic which attracts many small Relics to itself to create a living organism.

Knack varies in size; he can be the size of a human child when only a few Relics are incorporated around the big Relic, the size of a gorilla when a moderate number of Relics are incorporated, or the size of small skyscrapers when a very large number of Relics are used. Knack has different abilities for each of his states, even though the player primarily utilizes punching, jumping, and dodging abilities; a small Knack jumps higher, moves faster, and is weak, breaking in a small number of hits, while a large Knack can walk over enemies to defeat them, and pick up or break large objects, such as vehicles and buildings. Apart from the Relics, Knack can surround the large central Relic with ice, metal, wood, and other substances. Knack may use the energy absorbed from Sunstones to unleash powerful tornado attacks, shockwaves, and projectiles.

Knack gains new abilities from level to level; for example he can lift up and throw cars in his large form, and use specific objects involved in the story. Knack's voice also changes with his size; Knack's voice is nonexistent when in his smallest form, while in his largest form, his voice is deep, loud, and intimidating. Plot In a futuristic society, humanity has progressed in technological advances by harvesting the energy from Relics, physical remnants of a long-lost civilization.

Humans are reviled by the more-primitive Goblin species, who years ago had waged war upon them but ended up being driven from their cities and forced to live in the wilds.After a force of Goblins commandeering tanks overrun a fortified human outpost in the Highland Crags, the city of Newhaven holds an emergency meeting and organizes an expedition to learn how such weaponry was acquired. Ryder, an explorer, volunteers, joining Viktor, a billionaire industrialist, and his head of security, Katrina, backed by their force of security robots. Doctor Vargas demonstrates his newest creation, 'Knack', an organism consisting of a number of Relics, with the ability to control his size. Knack, Vargas, and his assistant and Ryder's nephew, Lucas, consequently partake. The group trace the weapons to a goblin fortress, controlled by the chieftain, Morgack, who attacks them. Knack overwhelms his soldiers and defeats Morgack, who reveals that a goblin named Gundahar gave the weapons to him.

Viktor double-crosses the others by kidnapping Lucas, compelling the doctor and Knack to follow, while Ryder continues to question Morgack. Gundahar later arrives, forcing Ryder to escape.Returning to his palace, Viktor unveils one of many giant relics in his possession to Vargas, Knack, and Lucas, which he intends to use to usher the world into a new technological revolution. The trio manage to flee Viktor and discover a map of Trogdo Mine that the relics had been unearthed from, illustrating a locked door behind which contains even larger relics that Viktor believes Knack is able to open. At the mine, where Viktor's excavations have awoken ancient creatures known as Guardians, Knack fails to open the door. Viktor and Katrina corner them and order Knack shot, resulting in him falling down a shaft. Knack enters an ancient cavern where he is ejected by Guardians and lands in front of a castle owned by Viktor.

At the same time, Vargas and Lucas are imprisoned in the castle. Vargas tells of his past love, Charlotte, whom he had met twenty years ago, the two bonding over their work. Whilst both underground, an earthquake had occurred and Charlotte fell into a chasm. Despite searching, Vargas could find no trace of her and gave up. Ryder tracks and rescues Vargas and Lucas with the help of Knack, but Viktor and Katrina escape.A Goblin army led by Gundahar invades Ryder’s hometown to steal relics. Vargas, Ryder, and Lucas fashion trackers disguised as relics in order to find the Goblins' base of operations.

Knack counters the assault, forcing Gundahar to leave. Tracking the goblins, they reach a factory manufacturing weapons. Vargas is met by an-alive Charlotte, who had been found by Gundahar in the cave and nursed back to health, and in return created the arms for him in order to combat rival goblin factions. Once achieved, Gundahar turned to attacking human settlements, but Charlotte stopped production upon her discovery.

Ashamed, she refuses to leave with Vargas. Knack destroys the factory’s weapon stores. He finds Gundahar, but the goblin flees and forces Charlotte to repair the armaments or else be cast out. Disturbed, Charlotte sends a message to Vargas, begging him to save her.In the Barren Wastes, following Ryder's prior discovery of it, the group enter a temple containing a mural of the door within Trogdo Mine; it depicts the key, which resides beneath Obelisk Mountain, but warns of a danger beyond the door.

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Having secretly bugged Lucas, Viktor and Katrina leave for their destination. Inside Obelisk Mountain, the group are caught by the two, but Knack blocks them off by causing a cave-in.

Lucas prevents Knack from taking the key, reminding them of the warnings; they attempt to destroy it instead, but Katrina takes it using a, triggering a volcanic eruption. Knack fights Katrina and breaks the mech, where she inadvertently falls towards the lava.

Believing her to be dead, Viktor prepares to leave with the key on his airship. Ryder sights Katrina, having landed on some floating rubble, and stays behind in an attempt to save her. Vargas, Knack, and Lucas manage to board the airship.The three presume Ryder dead following an explosion in the mountain. Vargas receives Charlotte’s message and sets the airship to fly over Gundahar’s factory. Viktor, enraged at Katrina’s apparent demise, ejects them from the airship, though Knack saves Vargas and Lucas. They reunite with Charlotte at the factory and leave in her aircraft. Viktor succeeds in opening the door in Trogdo Mine, revealing an ancient chamber containing an orb, which disintegrates him.

Immediately, the area and numerous Guardians emerge from out of the ground. Charlotte’s ship is damaged as they arrive, forcing them to land, and Knack leaves to confront the orb. It attaches itself to a nearby Guardian, which Knack battles, destroying the orb. The source eradicated, the expanse of stonework recedes back underground.A thanksgiving parade is held for them in Newhaven, where Knack, Vargas, and Lucas receive medals. As Vargas leads a eulogy for Ryder, Ryder is seen alive walking through a desert carrying Katrina in his arms as they head for the city.Development and release. This section needs expansion.

You can help. ( November 2013)Knack was envisioned as the PlayStation 4 equivalent of a title. Knack was the first PS4 game shown to the public. Decided to do this because they wanted to prove that the PS4's launch lineup did not exclusively consist of big-budget. Because of Knack 's intentional similarities to the successful Crash Bandicoot series, Sony Computer Entertainment felt it would be a smart business decision to heavily market Knack as an essential PS4 title. However, some critics questioned this decision, mainly because of the fact that this business tactic has been employed by Sony before.To promote the launch of the game, Sony Computer Entertainment and released a free mobile game called Knack's Quest on November 6, 2013.

The game is a game for and devices. The game allows connectivity with players' accounts to unlock special Relics within the main game.Knack was released in China as Knack's Adventure at the PlayStation 4's launch on March 20, 2015.Reception ReceptionAggregate scoreAggregatorScore54/100Review scoresPublicationScore7/103/104.5/104/1028/408.25/104/105/105.9/104/106/10Knack received 'mixed' reviews according to the website.Steve Butts of praised the concept and the hero but criticized the gameplay and the story by saying ' Knack 's shifting size is a great idea that never really grows into anything substantial'. Tom McShea of praised some elements of the game, such as the environments, but also criticized the story, gameplay, and 'surprisingly high' difficulty. McShea said, 'There's not one element of Knack to rally around, to excite you. And without that special something, Knack crumbles just like its piecemeal protagonist.'

Tom Bramwell of criticized the lack of depth in the gameplay and the checkpoint balancing. Bramwell stated that ' Knack isn't the kind of game you'll want to take home with your PlayStation 4.

I'm all in favour of games that transport us back to the good old days of vibrant originality, but Knack simply doesn't.' On the other hand, 's Matt Helgeson said that it's 'not the most innovative or the most visually dazzling game.

This won't be the one you put in to show off your new console to your friends. However, when you're done with the prettied-up versions of the big franchises, you'll find yourself wanting to return to Knack. It's got charm and heart, and offers a whole lot of good gameplay.

Ultimately, that's still what's important - no matter which generation we're in.' 's Dale North called the game 'A fun romp, and definitely worth a play. It's easy to pick up, a joy to look at, and some of the boss battles are pretty great. My recommendation is that you take it in smaller doses, or try out the drop-in/drop-out cooperative play, which will definitely help when the going gets tough.' 's McKinley Noble called the game 'a solid adventure with some surprising care put into a lot of elements that most games take for granted', but lamented the game's limited combat, linear gameplay, and shallow technical polish.

In Japan, gave it a score of one six, one seven, one eight, and one seven for a total of 28 out of 40 in its PlayStation 4 launch issue in February 2014.411Mania's Gavin Napier gave it a score of 8 out of 10 and called it 'An easily accessible, throwback game that's appropriate for family enjoyment.' The 's Chad Sapieha gave it a score of 7.5 out of 10 and said that 'even with its not-quite-fully-delivered-upon promise – Knack may still be worth picking up.' GameZone's Lance Liebl also gave it a score of 7.5 out of 10 and said that the multiplayer 'makes Knack the best game for kids and the family to enjoy on the PlayStation 4 at the moment. There's still the lack of a well thought-out story, and the game disengages the player far too often with cutscenes to simply show Knack jump, but it's a game that will both offer a challenge and introduce kids to a simple brawler-platformer.' Peter Nowak of gave it an average review and called it 'a solid initial effort, despite it being a little long and rather hard.' Scott Nichols of gave it three stars out of five and said the game 'has its moments, and PlayStation 4 owners starved for something to play on their shiny new console will appreciate that the game actually becomes more fun to play the second time around, allowing it to keep players busy during the several month drought that seems to follow every system launch.' Paul Goodman of similarly gave it three stars out of five and said it was 'a colorful, but mediocre platformer that has issues with repetitive gameplay on top of being frustratingly difficult at times.'

Steve Boxer of likewise gave it three stars out of five and said, ' Knack isn't a bad game: there is satisfaction to be derived from it, some of the gameplay is genuinely good fun (at its best moments, it does begin to acquire an air reminiscent of a more ponderous Crash Bandicoot), and it's one of the longer games to emerge in recent years, so will at least keep youngsters occupied for decent periods of time. But neither is it a particularly good game, which is hugely disappointing given that it's supposed to be one of the flagship reasons for buying a PlayStation 4.' However, Dave Riley of gave the game a C and said, 'There's very little in Knack that inspires passion. What we have here may be a technical marvel, but only the engineers will know for sure. From the outside looking in, if they'd spent half as much time on any other part of the game as they did animating the bits and bobs, maybe Knack would've contained something worth caring about.' James Marshall of The Digital Fix likewise gave it 5 out of 10 and said it was 'something constructed of relics – from the basic gameplay to the poor characterisation, nearly everything feels like something from two console generations ago.' David Jenkins of gave it 3 out of 10 and called it 'A poor quality video game by any measure, but what this joyless throwback is doing being a key launch title for the PlayStation 4 Sony only knows.'

Knack sold 322,083 copies on its first two days on sale in Japan as a.Sony's expressed disappointment at Knack 's critical reception, hoping the game would receive scores in the mid-70s. However, he emphasised that Knack was 'not the type of game reviewers would score high for the launch of a next-gen system' and instead, the game was a message that the PlayStation 4 was 'not just trying to cater only to the hardcore'. (February 20, 2013). Retrieved June 9, 2018. ^ Jeremy Parish (July 26, 2013).

Gamer Network. Retrieved July 9, 2015. ^. December 19, 2013. Retrieved June 9, 2018.

Colin Moriarty (June 26, 2013). Retrieved June 9, 2018. Daniel Brooke (October 18, 2013). PlayStation Blog. Retrieved July 9, 2015. Griffin McElroy (April 10, 2014).

Retrieved September 16, 2015. Mark Cerny (November 29, 2013). PlayStation Blog. Sony Computer Entertainment Europe. Retrieved December 18, 2015. ^. Retrieved November 22, 2013.

^ Dale North (November 13, 2013). Enthusiast Gaming. Retrieved November 22, 2013. Edge staff (November 28, 2013). Archived from on December 3, 2013.

Retrieved June 10, 2018. Chris Holzworth (November 18, 2013). EGM Media, LLC. Archived from on November 21, 2013. Retrieved June 10, 2018. ^ Tom Bramwell (November 13, 2013).

Gamer Network. Retrieved November 22, 2013. ^ Heath Hindman (February 13, 2014). PlayStation LifeStyle. Retrieved February 13, 2014. ^ Matt Helgeson (November 13, 2013).

Retrieved November 22, 2013. Nicholas Tan (November 20, 2013).

Retrieved June 10, 2018. ^ Tom McShea (November 13, 2013).

CBS Interactive. Retrieved November 22, 2013. Ben Moore (November 13, 2013). Archived from on December 18, 2014. Retrieved June 10, 2018.

Alex Navarro (November 18, 2013). CBS Interactive. Retrieved June 10, 2018. ^ Steve Butts (November 13, 2013). Retrieved November 22, 2013. Ludwig Kietzmann (November 13, 2013).

Retrieved June 10, 2018. Jason Killingsworth (November 29, 2013). Archived from on December 2, 2013. Retrieved June 10, 2018. Philip Kollar.

Retrieved June 10, 2018. ^ Scott Nichols (November 21, 2013). Retrieved June 10, 2018. ^ Paul Goodman (November 14, 2013).

Retrieved June 10, 2018. McKinley Noble (November 13, 2013).

Retrieved November 22, 2013. Gavin Napier (November 21, 2013).

Archived from on November 23, 2013. Retrieved June 10, 2018. Chad Sapieha (November 13, 2013).

Retrieved June 10, 2018. Lance Liebl (December 1, 2013).

From the original on December 4, 2013. Retrieved June 10, 2018. Peter Nowak (November 13, 2013). Retrieved June 10, 2018. Steve Boxer (November 29, 2013). Retrieved June 10, 2018.

Dave Riley (December 8, 2013). Retrieved June 10, 2018.

James Marshall (December 23, 2013). The Digital Fix. Poisonous Monkey. From the original on January 19, 2016.

Retrieved June 10, 2018. David Jenkins (November 18, 2013). Retrieved June 10, 2018. Brian Ashcraft (February 26, 2014). Retrieved February 26, 2014. James Brightman (November 14, 2013).

Retrieved March 7, 2014. Andrew Goldfarb (December 3, 2016). Retrieved December 3, 2016.External links.

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Putting together the Digital Foundry platform comparisons aren't easy. Pristine, lossless captures are acquired quickly filling multi-terabyte RAID arrays, clips are meticulously lined up, shots are extracted, magnified and compared. And then of course, performance is tested. But what if we could carry out most of the Face-Off process in one pass? What if we could play two versions of the same game simultaneously while grabbing all the capture data we need in the background? Well, that's what we're doing here in this video presentation, where John Linneman and I play Knack on PS4 and PS4 Pro using a single Dual Shock 4 controller, with two screens side-by-side.

Dual system control (we tend to call it 'dual-wield') was a hardware experiment I put together back in September 2014, in an attempt to streamline workflow and to make our comparison videos - then dominated by cut-scenes and very limited gameplay - a lot more dynamic. In fact, doing a quick search though our YouTube history, I found this never-published Battlefield 4 comparison which showed highly promising results during our first tests. But the truth is that while dual-wield produces some cool comparison clips, the combination of varying game logic and shifting analogue stick data means that de-sync happens very quickly, limiting its application.

But Knack? Well, that's different. Camera movement is carried out by the game, not the player, removing our most troublesome de-sync variable - the drift caused by the processing, averaging and smoothing of controller input. Xbox One and PS4 actually have different controller polling intervals too (4ms and 5ms respectively), and this also contributes to de-sync - but this is not a problem with Knack as we're comparing two PlayStations with the same sampling. Game logic still causes problems, but we can quickly re-sync the action by moving Knack to a corner of a room. In almost every way, we have a best case scenario here. A typical dual-wield session on most titles lasts a few minutes before we need to abort (some see immediate drift) but in the case of Knack, we could probably play through most of the game like this.

But could we actually do a live Face-Off? The answer is yes - and no. The video here has only one edit - where we swapped out a PS4 Pro for standard hardware - and we did manage to pick out the primary difference between Pro's 4K and 1080p modes. It seems that dynamic shadows are limited to just one light source in the 4K output mode (the sun) whereas the high performance option - which attempts to run Knack at 1080p60 - retains the same visual feature set as the base PlayStation 4 game.

But getting to the nuts and bolts of Knack's PS4 Pro features required additional work after filming was complete. During play we speculated that the 4K output mode wasn't native, and our best guess at the time was 1800p. Running in the captures and carrying out the pixel count, we settled on a native resolution of 3072x1728 (80 per cent of 4K on both axes). A strange shimmering we picked up on viewing the game at close-range on a 58-inch Panasonic 4K screen was confirmed looking at the captures, while other scenes exhibited a kind of vertical interlace artefact, suggesting a checkerboard upscale of some description.

Unexpected stories of game development.

Performance analysis remains very much an offline exercise of course. Here we could confirm that Knack's high performance mode mostly runs between 50-60fps, while the 4K output mode - by and large - matches the frame-rates posted by the game running on standard PlayStation 4 hardware. With the data in the bag, final resolution metrics and performance analysis was added to the 'live' video during the editing phase. And it's here that some other anomalies were noted - such as deactivated lighting effects in the 4K mode's background features (highlighted up-close fleetingly during an engine-driven cut-scene).

John and I had plenty of fun filming this, as it realised - fleetingly at least - our initial hopes a couple of years ago for producing better, faster comparison work. It's evolved into a nice tool for the DF toolbox though, and we've used it recently for great shots in Uncharted 4, Rise of the Tomb Raider, Hitman and to spectacular effect in FIFA 17. We even used it to play FIFA 17 and PES 17 simultaneously, which worked rather more successfully than we thought it would.

But as things stand, we'll have to continue producing our work in the established manner - until Knack 2 comes out, at least.